Kathak Vs. Bharatanatyam: What’s the Difference Between the Two Classical Styles?

Kathak vs Bharatanatyam What’s the Difference Between the Two Classical Styles

India’s classical dance heritage is a treasure trove of tradition, spirituality, and storytelling. Among the eight recognized classical dance forms, Kathak and Bharatanatyam are two of the most prominent and widely practiced. While both are steeped in ancient Indian culture and rooted in devotion, they differ significantly in origin, movement vocabulary, costume, musical accompaniment, and thematic content.

If you’re new to classical dance or trying to decide which style to learn or understand better, this blog will help you explore the key differences between Kathak and Bharatanatyam.

Origins and Cultural Background

Bharatanatyam: Temple Dance of Tamil Nadu

Bharatanatyam is one of the oldest classical dance forms of India, originating over 2000 years ago in the temples of Tamil Nadu. It was performed by devadasis (female temple dancers) as an offering to deities. The dance was deeply spiritual, serving as a medium to narrate stories from Hindu scriptures like the Ramayana, Mahabharata, and Puranas.

The name “Bharatanatyam” itself is believed to be a combination of Bhava (emotion), Raga (melody), Tala (rhythm), and Natyam (dance), making it a holistic form of expression.

Kathak: The Storytelling Dance of North India

Kathak, on the other hand, has its roots in North India and derives from the Sanskrit word Katha, meaning story. Kathakars (storytellers) would travel and narrate stories through music, mime, and rhythmic footwork. Over time, Kathak evolved in the Mughal courts, absorbing Persian influences and transforming into a more secular and ornamental performance art.

This makes Kathak a unique blend of Hindu devotional elements and Islamic courtly aesthetics, reflecting the syncretic culture of North India.

Style of Movement and Expression

Bharatanatyam: Angular Precision and Sculptural Beauty

Bharatanatyam is known for its fixed upper torso, bent legs, and sharp, geometric poses. The dance is deeply rooted in symmetry and balance, often compared to temple sculptures that come alive in motion. Each posture and gesture is highly codified, designed to convey emotion and spiritual depth.

The expressive aspect, called Abhinaya, uses intricate facial expressions and hand gestures (mudras) to narrate stories with clarity and grace.

If you’re inspired to explore this graceful art form, consider joining the best Bharatanatyam classes in Dubai to begin your journey.

Kathak: Fluid Grace and Rhythmic Footwork

Kathak is characterized by spins (chakkars), fast-paced footwork (tatkaar), and fluid movements. Unlike Bharatanatyam, Kathak allows more freedom of the torso and arms, lending the dancer an effortless, flowing grace. The style alternates between pure dance (nritta) and expressive storytelling (nritya), often featuring call-and-response sequences between the dancer and the tabla player.

Facial expressions are more subtle in Kathak, and the dancer relies heavily on rhythmic virtuosity and musical interplay.

Looking to immerse yourself in this elegant classical form? Explore the best Kathak classes in Dubai to begin your journey with expert guidance.

Costume and Jewelry

Bharatanatyam Attire

Bharatanatyam dancers wear a traditional silk saree or costume stitched in a way that allows freedom of movement while preserving modesty. The outfit includes pleats that fan out beautifully during leg movements and jumps. The jewelry set includes temple ornaments such as the headpiece (nethi chutti), nose ring, ear chains, bangles, and the odiyanam (waist belt).

The dancer’s feet are adorned with alta (red dye) and ghungroos (ankle bells) that accentuate rhythm.

Kathak Attire

Kathak costumes are influenced by Mughal aesthetics. Female dancers typically wear a long anarkali-style kurta with a churidar and dupatta, while male dancers wear angarkhas or dhoti-kurta. Jewelry is minimal compared to Bharatanatyam, focusing more on elegance and grace.

Ghungroos are also an essential part of the Kathak costume, highlighting the intricate footwork during performances.

Music and Rhythm

Bharatanatyam Music: Carnatic Tradition

Bharatanatyam is performed to Carnatic music, the classical music of South India. Instruments commonly used include mridangam (a double-sided drum), violin, flute, and nattuvangam (cymbals played by the guru or conductor). The compositions are often in Tamil, Telugu, or Sanskrit.

The tala system (rhythmic cycles) in Carnatic music is complex and intricately structured, complementing the precision of Bharatanatyam movements.

Kathak Music: Hindustani Classical

Kathak is accompanied by Hindustani classical music, the traditional music of North India. Key instruments include the tabla, sarangi, harmonium, and sitar. The rhythmic patterns are built on taals like Teentaal, Jhaptaal, and Ektaal, often explored with improvisation and complexity.

Dancers and musicians often engage in jugalbandi (a creative dialogue), where the dancer matches or challenges the rhythm played by the tabla.

Storytelling and Themes

Bharatanatyam: Devotional and Mythological

Bharatanatyam is deeply spiritual and is often performed as an offering to Hindu gods. The stories center around deities like Shiva (especially in his form as Nataraja, the lord of dance), Vishnu, Krishna, and Devi. The dances explore themes of devotion (bhakti), love, longing, and divine union.

Even the abstract pieces in Bharatanatyam have a spiritual subtext, focusing on purity of movement and emotion.

Kathak: From Temples to Courts

Kathak initially began as a devotional temple dance, narrating stories of Krishna and Radha. However, during the Mughal era, it evolved into a court performance, incorporating romantic, historical, and abstract themes. Today, Kathak performances may include mythological tales, Sufi poetry, or purely technical showcases of rhythm and footwork.

This dual legacy of temple and court makes Kathak one of the most versatile classical styles in India.

Learning and Performance

Training in Bharatanatyam

Learning Bharatanatyam requires years of disciplined training under a qualified guru. Students begin with basic steps (adavus), followed by more advanced items like varnams, padams, and tillanas. The training focuses on posture, precision, and expressive storytelling.

An arangetram (debut solo performance) marks the student’s readiness for public performance, after years of rigorous practice.

Training in Kathak

Kathak beginners’ training emphasizes rhythm (laya) and improvisation. Students learn tatkaar (footwork patterns), todas (compositions), chakkars, and expressive pieces. Since Kathak allows greater spontaneity, students often practice reciting rhythmic syllables (bols) and engaging with live musicians during training.

Performance opportunities vary from small recitals to full-fledged stage productions.

Which Dance Style is Right for You?

Choosing between Kathak and Bharatanatyam depends on your personal connection to the style, regional background, and what you’re seeking in a dance form:

  • Choose Bharatanatyam if you’re drawn to temple traditions, sharp lines, and deeply spiritual expression.
  • Choose Kathak if you love rhythm, fluid motion, and storytelling through movement and music.

Both forms require dedication, but the journey is immensely rewarding—physically, emotionally, and spiritually.

A Celebration of Diversity

Though Kathak and Bharatanatyam differ in form, technique, and presentation, both stand as pillars of India’s artistic and cultural legacy. Each style speaks its own language of expression, echoing centuries of tradition while evolving with the times.

Whether you’re an aspiring dancer, a parent considering options for your child, or simply a lover of classical arts, immersing yourself in either of these styles will deepen your appreciation for India’s vibrant cultural tapestry.

Interested in pursuing classical dance training in Dubai? Check out Upaj Dance Academy in Jebel Ali Village, where both Kathak and Bharatanatyam are taught with passion and precision.